Probass, on 08 April 2010 - 01:14 AM, said:
... I live in what might be the musical asshole of the U.S.--that is to say, I live where there is only country music, hip-hop, classic rock and top 40-style radio stations...
Isn't that pretty much all of the country, with maybe the exception of our lucky brothers and sisters on the west coast? Philly may have been a hot spot for the music scene in the 60's and 70's, but it is awful now. On radio we have the R&B/hip hop station, the other two R&B/hip hop stations, the top 40/R&B/hip hop station, the classic rock station, the other (even more repetitive) classic rock station, the "we play everything but it's really the same recycled crap" adult contemporary station, a country station, an oldies station, and one somewhat decent alt rock station. YAY for the interwebs!
inchem...this is a cool topic.
Dig Your Own Hole was groundbreaking upon its release and is still awesome today. It has a great flow, the right choices for singles, excellent album tracks, and does not sound dated. In addition to Block Rockin' Beats, the tracks Where Do I Begin, The Private Psychedelic Reel and Piku have NEVER stopped being in rotation on my personal playlists. Also, It Doesn't Matter has been a staple of DJ persona when I want to surprise people with something cool that they've never heard before. DYOH is still one of my favorite albums.
1997 was a great year for me becoming me. I was living in my first apartment and it was like a musical renaissance. I "discovered" the following CDs (and artists) that year:
- The Chemical Brothers - Dig Your Own Hole ('97) , and subsequently Exit Planet Dust, Loops of Fury, and all the domestic singles
- The Crystal Method - Vegas ('97)
- The Prodigy - Fat of the Land ('97 - I was familiar with Charly and Out Of Space, but was not necessarily a Prodigy 'fan')
- Fatboy Slim - Better Living Through Chemistry ('96)
- Orbital - In Sides ('96 - Again, I knew Chime but not necessarily Orbital)
Of course, DYOH with its singles Setting Sun ('96) and Block Rockin' Beats ('97) was the driving force behind my new musical direction, but these albums and a few "electronica" compilations changed my world, quite literally.
It is sad. In 1997, big beat, breaks, trance, electro, and various forms of European dancefloor music made it over here under the catch-all title "electronica". The movement was growing strong with MTV's weekly show AMP and radio play for some of the tracks. Sadly, the revolution ended almost as quickly as it started. I really thought America was in for something great musically, but the mainstream wouldn't have it. I guess it's probably for the better; pop success often destroys music anyway.
I still enjoy most of the bands I discovered in '97, including all the ones mentioned above, but the Chemical Brothers are the only ones I still closely follow today. Perhaps it is because they have balanced the fine line between greatness and evolution.....