I have a few kind words for Justice:
They explored the depths of their album "Cross," as it were, and brought something yet again to their live set that can only be described as inventive. Clearly, they represented electronic musicians in a way that gives credibility to live electronic music performances, fusing their set into a seamless blend, creating music on-stage and going with a wonderful flow. There were high points during the set that didn't quite move me in the ways which sets by other electronic musicians have, but they definitely rock the house.
Now for a few unkind words for Justice:
You're not Metallica. You don't play metal, nor is your music anywhere near the crap composed by hair bands. Taking Master of Puppets and shoving it into the end of your set while laying over a rough-edged house beat sucks the soul out of your performance and chips away at the foundation of what one considers live electronic music.
And while we're on the metal, why is it that I felt like that's what you were going for the entire time? Why do you have to try to shove the style of your music into a genre which doesn't quite embrace the idea of electronic music?
Some of Justice's music is "hard," indeed; Waters of Nazareth has some pretty intense beats going on, but other than that you're not going to mosh to D.A.N.C.E. So why did it feel like that's what Justice was trying to make the crowd do the whole time? They crowd surfed, literally, in the way that rock stars do. And don't get me wrong, it's not like you couldn't consider them as such, but Xavier and Gaspard are living out a fantasy.
And apparently American crowds are eating it up. For the record, the all-ages show brought out some seriously lamefuckingdouchebags. I couldn't believe how many idiots didn't understand the idea of personal space, as in you don't shove your elbow in someone's face and expect them to be okay with it.
So I had fun, Justice played a great set, but I wanted to love the experience so much more than I actually did.