I made a song on my computer and i want to know what you all think of it. But remember, i'm only 13 with extremely close to no materials at all. so don't expect a masterpiece. but i do want everyone's thoughts on my work.

in case you don't know how to do this...

the link will bring you to a page with a chart. at the bottom of the chart click "free". that will bring you to a new page with a code, and a place to type underneath it. type the code and click "download"

http://rapidshare.co...lly_Natural.mp3

Ok thanks. I feel old now. I'm 32. Jeez.

TJ, I liked a lot of the sounds! I would say as the only suggestion, a little more modification of the levels. ie. balance out which instruments you wanna hear distinctly, and which are going to just edge in, in the backround...

Sounds great tho!

thanx for the feedback evermin, i love hearing from other people what they think of my music. thanx for the advice too!! your not old, my dad is 48, so hopefully that makes you feel better, lol

*laugh*

Well, my kids are still in single digits, so I suppose that's good too.

The only Chems releated mixes I ever did were these:

http://www.acidplane...s=336039&T=2251

The Maiden Flight really was just practice in how to use Acid Loops or whatever. I had never used it before. The "Never Was Live" mix I thought really came out great...

Points to anyone who can tell me which ending clip (what live performance? it's a pretty well covered bootleg concert) I used for the come down at the end of the song.

I won't give any constriuctive criticism until I listen to it again, but I enjoyed it

I enjoyed it as well, and the only criticism I can give it right off is what evermin mentioned, which is working with the levels.

Everything does sound pretty much even, which can be a good thing, but it's not as defined as it needs to be. Having a distinction on what you want us to listen to more would be good. Otherwise, the full-levels are great at times.

I like how you keep building up the layers at the end, too. :)

@evermin - I don't recognize the set you used, but I do really dig the energy you created with the track. Or, I should say that you built from the Chems' sounds. ;-)

It got me movin'.

But ah, yes, the end "Tom goes off with the synthesizer a la Jimi Hendrix." I loved it from the first moment I heard it back in 2002 in San Francisco. I couldn't believe it--it was awesome. I looked over at some other people putting their hands over their ears, and they asked, "What is that noise?" I looked at them as if they were the ones on drugs...

(ha ha)

Yeah I agree, I've had a problem with that actaully. I'm usually a little imbalanced with the level settings. My favorite part about making music though, is taking a software instrument, and completely screwing it up (in a good way), to the point where i play the sound of the original instrument to my friend, and then play him my version of it, he skeptically says,"How the hell do you do that!"