Rest In Peace, brother.
You guy really worked it out.
:'(
Forum
Willy Hutch is dead
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#5 irishfan
Posted 23 September 2005 - 1:12 PM
sad news
found a section of a interview with him about the chems mix album
But Hutch is even more "elated" because his song "Brother's Gonna Work It Out" from The Mack appears as the title track to the brand-new Chemical Brothers DJ mix album of the very same name. Indeed, it is the leadoff track--the song that sets the scene, creates the mood, defines the entirety of the record (which also includes contributions from Spiritualized, the Jimmy Castor Bunch, Manic Street Preachers, and the Chems themselves).
To be included on a record by the Brothers--Tom Rowlands and Ed Simons, the men who briefly convinced the music biz that techno was the pop of the future--is a thrill for Hutch, who has been relegated to the fine-print footnotes of the history books. This proves he is no longer in the "twilight of his career," he says, but moving from the past into the future; he describes this moment almost as though he were a man caught between vortices, one that threatens to drown him in what was and another that promises to launch him into tomorrow. He is proud of what he has done--writing hits for the Fifth Dimension and the Jacksons, producing Smokey Robinson and the Temptations--but would rather look toward the rave new future. He is no longer a victim of his long-ago accomplishments, but a man moving forward, toward something bigger, better.
"The Chemical Brothers are one of the biggest groups going right now," Hutch says, puffing on an extra-light cigarette. He sits on a sofa in a side room off the foyer of his office-studio. On top of an antiquated television sits an old black-and-white photo of Smokey Robinson, whose first solo album Hutch produced and wrote most of.
"I hadn't heard them. I read about them, but never heard their music. But to be on that record is an honor, because it's like, when a guy does that, he really appreciates what you did. And that helps me as an artist, as a writer, to appreciate what I've done--the fact that someone else respects it enough to use it like that. They patterned the whole album after the song. It's like, 'OK, I did something right for a change.'" He laughs. "What it does for me creatively is it gives me license to cross barriers without people looking at me like, 'Hey, weren't you in the '70s?' It's good for me. It's like a time warp, like back to the future. And it's publicity."
found a section of a interview with him about the chems mix album
But Hutch is even more "elated" because his song "Brother's Gonna Work It Out" from The Mack appears as the title track to the brand-new Chemical Brothers DJ mix album of the very same name. Indeed, it is the leadoff track--the song that sets the scene, creates the mood, defines the entirety of the record (which also includes contributions from Spiritualized, the Jimmy Castor Bunch, Manic Street Preachers, and the Chems themselves).
To be included on a record by the Brothers--Tom Rowlands and Ed Simons, the men who briefly convinced the music biz that techno was the pop of the future--is a thrill for Hutch, who has been relegated to the fine-print footnotes of the history books. This proves he is no longer in the "twilight of his career," he says, but moving from the past into the future; he describes this moment almost as though he were a man caught between vortices, one that threatens to drown him in what was and another that promises to launch him into tomorrow. He is proud of what he has done--writing hits for the Fifth Dimension and the Jacksons, producing Smokey Robinson and the Temptations--but would rather look toward the rave new future. He is no longer a victim of his long-ago accomplishments, but a man moving forward, toward something bigger, better.
"The Chemical Brothers are one of the biggest groups going right now," Hutch says, puffing on an extra-light cigarette. He sits on a sofa in a side room off the foyer of his office-studio. On top of an antiquated television sits an old black-and-white photo of Smokey Robinson, whose first solo album Hutch produced and wrote most of.
"I hadn't heard them. I read about them, but never heard their music. But to be on that record is an honor, because it's like, when a guy does that, he really appreciates what you did. And that helps me as an artist, as a writer, to appreciate what I've done--the fact that someone else respects it enough to use it like that. They patterned the whole album after the song. It's like, 'OK, I did something right for a change.'" He laughs. "What it does for me creatively is it gives me license to cross barriers without people looking at me like, 'Hey, weren't you in the '70s?' It's good for me. It's like a time warp, like back to the future. And it's publicity."
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