Ben_j, on 07 October 2013 - 4:01 PM, said:
I gave a listen to the album. It was nice, but not "omg this is amazing !" nice. Drone Logic (the track) is excellent, but the rest left me a bit bored
I listened through the album when it was streaming off of Pitchfork last week. I had the same reaction you did the first time around.
I've listened to it twice more today while
fairly high biking, and I'm absolutely impressed. Admittedly, there were two or three tracks around track 7 to track 9 that left me wanting.
I'll give this a cursory track-by-track review for my first impression.
1 - Water Jump: 10
--Lively track, builds on itself both melodically and energetically. Smart sound. A++ for the dance-floor "A HA!" moment.
2 - Free Floating: 8
--There is some nice experimental noise on this one. It does (excuse the pun) drone on a bit, but it carries well and you don't really tire in the middle of it. Acid synth ftw.
3 - Drone Logic: 10
--Amazing track. As I stated before, this is the 2013 equivalent to Josh Wink's "Higher State of Consciousness." It's the catchiest synth line I've heard in a long, long time. It's simple, it builds to a fantastic peak, plateaus, and leaves you satisfied. I can't wait to hear this one on the floor.
4 - These Nights Never End - 9
--Great tunnel track. The sound of this one definitely reminds me of passing through the Broadway Tunnel here in San Francisco at 3 a.m., and loving every minute of it as the lights blur by. More velvety acid with some great tweaks on the sound.
5 - Naive Response - 8
--The minimalism in this album is impressive, though this admittedly is where the album starts to lose a bit of energy. Very nice work with just one simple line, and it reminds me of some of Josh Wink's other work as well.
6 - Platform Zero - 9
--No, this is not a track that will hit you hard, but it goes to the other end of the spectrum. I would have given it a 10 if not for the rather annoying experimental noise that comes in when bringing you to the next track, but it's still impressive how the track brings you from that serene place back into the doldrums of warehouse sounds.
7 - Need Electric - 8
--The album loses yet more energy here, but there's still some nice moments with percussion in this track that move it along nicely. Not too much with variety, and this is the point where you start wanting more from the album.
8 - All I Need - 7
--And then the album doesn't quite deliver the variety that you might be wanting. You get more of the same, which isn't a bad thing necessarily, it's just that this doesn't quite go where you want it to.
9 - Spring 27 - 8
--The serene place again. I do enjoy, at least, the switching back and forth between the two.
10 - Simulrec - 6
--It's a cross between that serene place and the warehouse. It's slow, it doesn't build well, it lags, and this is where the album is at its worst.
11 - New Energy (Live Through It) - 10
--And then you realize why he mentioned The Chemical Brothers in talking about this album, if they hadn't already come to mind before. This is a cross between Otter Rock and Surrender (or "Racing the Tide" as we true Chem fans know it to be from the promo release), and it is one of the more pleasant listens that I've had in recent memory. Comfort with an infrequent razor slice of noise here and there that builds into a subtle psychedelic plateau. Fantastic.
12 - Knowing We'll Be Here - 8
--Not a bad track to end the album with. Fairly lively, but it doesn't quite finish off the way you'd hope.
All in all, there are some wonderful moments on this album and most of the tracks hold up on their own. I'll keep listening to see what else I get from it, but I certainly am enjoying this on repeat currently, and it will likely stay that way for quite some time.
Cheers!