Posted 17 April 2007 - 1:46 AM
I have just sat here shaking my head all too many times since the track was first heard last Thursday, baffled at some of the posts in this thread (on all sides, for the record). I think sometimes ---- WOOOOOOOOOO! TAMPA SCORED!!!! LECAVALIER!!!!!!!!!!!! - oops, sorry, playoff hockey on TV --- most of us need to monitor the tone of what we're typing before hitting submit, Or use more smilies. Or not get personal. Or read other people's posts better. Or something.
Anyways, it's been amusing.
I liked the track on first listen, quite a bit. It took about 30 seconds of "What? This isn't what I expected!" before the main vocal kicked in and the song really caught me. So at least in this instance I'm not guilty of facilitating a love for the tune over time and determination to love everything Tom & Ed.
However, I certainly give my favourite artists more of a chance to win me over than acts I've never heard before, but I think that's only natural: If the majority of an artist's output appeals to you, there's a good chance that you'll like new material, even if it catches you off guard at first.
I'll freely admit that many of my favourite songs (and fave Chems songs in particular) really didn't appeal to me very much on the first (or even first dozen) listens. Nude Night didn't do anything for me until I heard it at Turnmills on NYE 2005 and that massive subbass showed me a side to the track I didn't know before. I thought The Reel was almost unlistenable noise for a LONG time. Actually, I thought that about most of Dig Your Own Hole. It wasn't until after I'd gotten into Come With Us (and a few other "electronic" artists) a year or two later and had a better appreciation of the context of the music and a better ear for the subtleties of the genre. Felt the same way about Daft Punk's 'Homework' album, too. It was just repetitive beats and all the tunes sounded the same. 'Discovery' was much more immediate for me and it caused me go to back and make sure I was paying proper attention and giving Homework a real listen.
I have virtually no attention span. It's quite common for me to tune out if I'm not hooked inside 30 seconds. But when I give music a chance or when I experience it in the right setting at the right time, I make a connection. I couldn't tolerate techno at all even 18 months ago. It just bored me silly. I love it now, because I am in a better position to appreciate the rich textures and emotional tones that aren't necessarily apparent on a first go. And so the story goes.
I don't think the situation is helped by the fact that electronic music is so splintered and subgenre-obsessed that many people seem (not just on the forum, but in general), at least to me, somewhat closed-minded and locked into their scene. In many ways, it seems more important to have underground credibility and be a hipster than engage with music that just rocks your frontal lobe. Call it the Pitchfork Magazine Syndrome, if you will. But even those pretentious snobs at Pitchfork have expanded their horizons massively over the past 18 months to include hip-hop, techno, and even pop, and I think they're far better for it.
One of the things that has kept me interested in the Chems is how wide their interests and influences span, as evidence in their DJ sets and in how different their albums are from each other.
Diversity and open-mindedness is a very splendid thing indeed.