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Hanna
#243
Posted 10 March 2011 - 10:38 PM
I'm not too sure what to make of this track.
I like the hip-hop kind off beats, they are quite...phat. I don't know how else to call it.
The whisteling part is funny and super random, but other than that...this track doesn't do it for me!
You can't like everything
#245
Posted 10 March 2011 - 10:57 PM
but when i heard that whistle i laughed and thought of this
EDIT: Well actually on second listen, i enjoyed it much more
This post has been edited by jamalchang: 10 March 2011 - 11:00 PM
#249
Posted 10 March 2011 - 11:34 PM
jamalchang, on 10 March 2011 - 2:57 PM, said:
EDIT: Well actually on second listen, i enjoyed it much more
Yeah, that's the thing with soundtracks/film scores - they are meant to compliment a film but the music might not have enough weight to stand on alone. At least that's what I get with the majority of movie scores I've listened to. That's what I took into consideration as far as the Tron soundtrack goes. Even the critically acclaimed Social Network soundtrack... I don't know. I don't see myself listening to that outside of the context of the movies and in those cases, my being unable to do so doesn't mean the music isn't good.
I do like what I've heard from Hanna so far and I think the music is strong. Container Park is a stand out track, that is something I feel is a sure thing. I really love the atmosphere in The Devil Is In The Beats. It's a bit fucked up and dark, but the whistling gives it a quirky edge and I think it works. It will be great to hear this in context of the film but time will tell if this soundtrack is one that can be enjoyed as a whole on its own, or if it only works as a whole in context of the film.
Don't know if I'm making any sense, so if I'm not, don't mind me!
#253
Posted 11 March 2011 - 1:14 AM
iguanapunk, on 10 March 2011 - 11:51 PM, said:
The rest of us is just weak.
#254
#255
Posted 11 March 2011 - 1:40 AM
Although I know that this or any other score is designed to accompany the/a movie, I thought the Park song would have been a little more like a "real" song instead of being chopped up with all these breaks throughout. But then again, it's what a score does, translating the (e)motions of the pictures into music and vice versa.
This song has quite some potential to be put out as a real electro track. Alone the build-up and distorted bassline along with these "vocals" would be worth it.
I think it wouldn't be a bad idea to release some of them that could also work as standalones as reworked versions, which I could see at least in the Park song and the one where Tom (i guess) is singing.
Still hoping that there'll be that "playground" theme on that score too that we could hear at the end of one of these movie teasers.
#256
#258
Posted 11 March 2011 - 9:34 AM
iguanapunk, on 10 March 2011 - 11:51 PM, said:
Ben_j, on 11 March 2011 - 10:16 AM, said:
compact disc? seems we'll have to wait until the end of all days. I want a physical release also but if it says it's going to be iTunes exclusive... it just might not happen
#259
Posted 11 March 2011 - 9:34 AM
WhiteNoise, on 10 March 2011 - 2:01 PM, said:
I think you mean...
That beat is nasty!
Plus you can do some fancy footwork with that whistling sound! ACE!
When those sirens went off, It got my attention and I told myself 'This is gonna be some serious shit'
Forget the Social Network sdtk...
Forget the Tron Legacy sdtk..
THIS IS THE REAL STUFF HERE! T AND E, YOUR FREAKING GENIUSES! I need to calm down now!